Unterhaltungen deutscher Ausgewanderten by Johann Wolfgang von Goethe

(19 User reviews)   5713
By Betty Young Posted on Dec 25, 2025
In Category - Attention Control
Goethe, Johann Wolfgang von, 1749-1832 Goethe, Johann Wolfgang von, 1749-1832
German
Hey, have you ever been stuck in a room during an awkward family argument? That's the starting point for this surprising little book by Goethe. Imagine a group of wealthy Germans fleeing the French Revolution, taking shelter in a countryside estate. Tempers are high, politics are explosive, and a major fight threatens to tear them apart. To keep the peace, they make a simple pact: no more talk of politics. But what do you do with all that nervous energy? They start telling stories instead. What unfolds is a collection of tales about love, ghosts, and strange coincidences. It's less about the revolution outside and more about the stories we tell to escape the tensions within.
Share

Read "Unterhaltungen deutscher Ausgewanderten by Johann Wolfgang von Goethe" Online

This book is available in the public domain. Start reading the digital edition below.

START READING FULL BOOK
Instant Access    Mobile Friendly

Book Preview

A short preview of the book’s content is shown below to give you an idea of its style and themes.

of being included among the great achievements of the nineteenth century. Only a hundred years ago it was still possible to maintain that there was no such thing as cuneiform writing, and that the mysterious figures that went by that name were merely a grotesque form of ornamentation. We propose to recount the method pursued by the long succession of scholars who in the end succeeded in solving the perplexing problem that was presented to them. Few, if any, of those who, in the beginning of last century, occupied themselves with the subject, could have imagined the brilliant discoveries that would result from their tedious labours. In these pages we shall be chiefly occupied with the inscriptions of the Achaemenian kings. They were the first to be discovered and studied, and they possess the peculiar advantage of being, with few exceptions, trilingual. They are, in fact, generally found in three parallel columns, and it was seen that the characters and no doubt the languages also varied in each. It was observed that the writing in one of the columns was much simpler than in the others; the number of different signs being limited to about forty-two. It was assumed that they were alphabetical, whereas there could be little doubt from their great number that the signs in the other columns were syllabic or ideographic. Notwithstanding the comparative simplicity of the former, it was not till forty years had been devoted to their study that the riddle was successfully solved. At length the sound of each letter was fully established, and the words they combined to form were found to belong to a language, akin to Zend, to which the name of Old Persian is now given. From its analogy to Zend and Pehlevi it was a comparatively easy task to assign correct or approximately correct meanings to the words, and to arrive at the sense of the short sentences that occur on the monuments. The first stage in the progress of decipherment was reached in 1845, when Professor Lassen of Bonn published a tentative but fairly correct translation of the whole of the inscriptions then accessible, belonging to the first or Persian column. This success was no doubt a matter of great interest to the philologist; but the inscriptions themselves were found to be almost wholly wanting in historical importance. They were nearly all taken from buildings at Persepolis or elsewhere, and they simply commemorated their erection by Darius or by Xerxes or by Artaxerxes Ochus. They are uniformly conceived in the same set form of words, from which at the most some deductions might be drawn as to the relations existing between the Persian and his god Ormuzd. Two of them indeed were varied by a list of the provinces included in the Empire. It is true the inscription at Behistun was not included in this collection; but even it adds little of importance except with reference to the revolt of the Magian impostor. The publication of this inscription by Major Rawlinson, in 1846, marks the successful termination of the task of deciphering the first column, and a complete mastery over the Old Persian language had then been obtained. It was correctly supposed that the other two columns contained translations of the same Persian text; and the knowledge now acquired of the latter could not but afford an invaluable key to unlock the difficulties of the others. The decipherment of the inscriptions in the second column was attended by even less interest than the first. The language was ascertained to be Scythic, but nothing was found written in it...

This is a limited preview. Download the book to read the full content.

So, here’s the setup: a German aristocratic family and their friends are forced to flee their homes as the French Revolutionary army approaches. They gather in a secluded estate, but the political arguments they brought with them are just as dangerous as the army. After a huge blow-up, the wise Baroness steps in. She proposes a rule—no more discussing current events or politics. To fill the silence and rebuild their connections, they agree to entertain each other with stories.

The Story

The book is basically a story about people telling stories. Each character takes a turn. There are romantic tales about impossible love, eerie ghost stories that send a shiver down your spine, and clever narratives about fate and moral choices. It’s not one continuous plot, but a series of windows into different worlds, all framed by this group of people trying to remember how to be civil to one another.

Why You Should Read It

I love the quiet genius of this structure. Goethe isn’t just giving us a book of short stories. He’s showing us the power of narrative itself. When real-world conversation fails, fiction can hold a community together. The characters, through their tales, explore themes of ethics, love, and the supernatural in a way they couldn’t through debate. It’s a beautiful reminder that sometimes, to understand each other, we need to stop arguing and start imagining.

Final Verdict

This is a perfect pick for readers who enjoy classic literature but want something more intimate than Goethe’s epic works like Faust. It’s for anyone who appreciates a clever framing device and enjoys seeing how stories connect people. If you like the idea of a 18th-century story night with a philosophical twist, you’ll find this really rewarding. It’s a short, thoughtful escape.



✅ Copyright Status

This book is widely considered to be in the public domain. You are welcome to share this with anyone.

Oliver Taylor
1 year ago

After finishing this book, the character development leaves a lasting impact. A true masterpiece.

Susan Ramirez
2 years ago

I was skeptical at first, but the emotional weight of the story is balanced perfectly. I learned so much from this.

Patricia Martin
11 months ago

This book was worth my time since the clarity of the writing makes this accessible. Don't hesitate to start reading.

Matthew Smith
4 months ago

Essential reading for students of this field.

Robert Miller
1 year ago

High quality edition, very readable.

4.5
4.5 out of 5 (19 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.
You must log in to post a comment.
Log in


Related eBooks