The Diary of a Nobody by Weedon Grossmith and George Grossmith

(3 User reviews)   947
By Betty Young Posted on Jan 14, 2026
In Category - Tech Balance
Grossmith, George, 1847-1912 Grossmith, George, 1847-1912
English
Ever wonder what life would be like if you took yourself just a little too seriously? Meet Charles Pooter, the original suburban dad. He’s a man who believes his small world of pottering in the garden, hosting awkward dinner parties, and minor office politics is worthy of historical record. This is his diary, and it’s one of the funniest, most cringe-inducingly accurate portraits of middle-class life ever written. The real conflict isn't some grand adventure—it's Pooter's constant, hilarious battle to maintain his dignity against a world that keeps tripping him up. From disastrous home improvements to embarrassing social encounters, you'll laugh at his pomposity and then catch yourself thinking, 'Oh no, that’s a bit like me.' It’s a quiet comedy masterpiece that proves the most epic struggles happen over a freshly painted bath.
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passages of argument, of all of which the books are composed. The following exposition is an attempt to assist the bettering of all this. As the Twelve Prophets illustrate among them the whole history of written prophecy, I have thought it useful to prefix a historical sketch of the Prophet in early Israel, or as far as the appearance of Amos. The Twelve are then taken in chronological order. Under each of them a chapter is given of historical and critical introduction to his book; then some account of the prophet himself as a man and a seer; then a complete translation of the various prophecies handed down under his name, with textual footnotes, and an exposition and application to the present day in harmony with the aim of the series to which these volumes belong; finally, a discussion of the main doctrines the prophet has taught, if it has not been found possible to deal with these in the course of the exposition. * * * * * An exact critical study of the Twelve Prophets is rendered necessary by the state of the entire text. The present volume is based on a thorough examination of this in the light of the ancient versions and of modern criticism. The emendations which I have proposed are few and insignificant, but I have examined and discussed in footnotes all that have been suggested, and in many cases my translation will be found to differ widely from that of the Revised Version. To questions of integrity and authenticity more space is devoted than may seem to many to be necessary. But it is certain that the criticism of the prophetic books has now entered on a period of the same analysis and discrimination which is almost exhausted in the case of the Pentateuch. Some hints were given of this in a previous volume on Isaiah, chapters xl.-lxvi., which are evidently a composite work. Among the books now before us, the same fact has long been clear in the case of Obadiah and Zechariah, and also since Ewald's time with regard to Micah. But Duhm's _Theology of the Prophets_, which appeared in 1875, suggested interpolations in Amos. Wellhausen (in 1873) and Stade (from 1883 onwards) carried the discussion further both on those, and others, of the Twelve; while a recent work by Andrée on Haggai proves that many similar questions may still be raised and have to be debated. The general fact must be admitted that hardly one book has escaped later additions--additions of an entirely justifiable nature, which supplement the point of view of a single prophet with the richer experience or the riper hopes of a later day, and thus afford to ourselves a more catholic presentment of the doctrines of prophecy and the Divine purposes for mankind. This general fact, I say, must be admitted. But the questions of detail are still in process of solution. It is obvious that settled results can be reached (as to some extent they have been already reached in the criticism of the Pentateuch) only after years of research and debate by all schools of critics. Meantime it is the duty of each of us to offer his own conclusions, with regard to every separate passage, on the understanding that, however final they may at present seem to him, the end is not yet. In previous criticism the defects, of which work in the same field has made me aware, are four: 1. A too rigid belief in the exact parallelism and symmetry of the prophetic style, which I feel has led, for instance,...

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First published in 1892 as a serial in Punch magazine, The Diary of a Nobody follows a year in the life of Charles Pooter, a perfectly ordinary clerk living in a London suburb called Holloway. He decides to keep a diary, convinced his daily observations on life will be of great interest. What unfolds is a brilliantly funny record of minor domestic disasters and social anxieties.

The Story

We follow Pooter through his meticulously noted routines: his pride in his house ‘The Laurels’, his strained relationship with his mischievous son Lupin, and his attempts to climb the subtle social ladder of his neighborhood. The plot is a string of beautifully observed episodes. He gets humiliated at a friend’s party. He endures the horror of having his name misspelled in a newspaper. He fumes over a cheeky tradesman or a neighbor’s perceived slight. His greatest adventures involve painting a bath, dealing with a troublesome servant, and navigating the fallout from his son’s modern and embarrassing romantic entanglements. The humor comes from the vast gap between how Pooter sees these events (as major historical incidents) and how we see them (as utterly relatable, everyday embarrassments).

Why You Should Read It

This book is a miracle of quiet humor. The Grossmith brothers didn’t set out to mock Pooter cruelly; they created someone we recognize and, despite ourselves, root for. His pomposity is funny, but his underlying desire for respect and a tidy life is deeply human. Reading it today, over 130 years later, is a shock. The specifics of etiquette have changed, but the anxiety about what the neighbors think, the petty frustrations of home ownership, and the generational gap between a staid father and a flashy son feel incredibly modern. It’s the great-grandfather of every cringe-comedy sitcom. You’ll find yourself laughing out loud at his misfortune, then immediately feeling a pang of sympathy. It holds up a gentle, forgiving mirror to our own vanities.

Final Verdict

This book is perfect for anyone who loves character-driven humor, fans of British comedy from P.G. Wodehouse to The Office, and readers interested in social history that doesn’t feel like a textbook. If you’ve ever worried about a stain on your carpet before guests arrive, or felt a surge of pride over a well-organized shed, Charles Pooter is your literary soulmate. It’s a short, delightful, and surprisingly warm read that proves there’s no such thing as a ‘nobody’—everyone’s life is a comedy if you look at it the right way.



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Karen Jackson
9 months ago

The formatting on this digital edition is flawless.

Steven Walker
5 months ago

The index links actually work, which is rare!

James Robinson
1 year ago

Very helpful, thanks.

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