Lamia by John Keats

(18 User reviews)   4912
By Betty Young Posted on Jan 5, 2026
In Category - Attention Control
Keats, John, 1795-1821 Keats, John, 1795-1821
English
Okay, so imagine this: you're a powerful sorcerer, and you fall madly in love with a breathtakingly beautiful woman. There's just one catch—she's not exactly human. She's a lamia, a magical serpent-woman who has transformed herself just for you. That's the wild setup of John Keats's 'Lamia.' It's a poem that asks the dangerous question: what happens when pure, obsessive love meets cold, hard truth? Is blissful ignorance better than painful reality? Keats wraps this ancient myth in some of the most stunning, sensory-rich language you'll ever read. It’s a short, intense ride about desire, illusion, and the moment the dream shatters.
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I is most closely related to e, y, j, g; as in dint, dent, beverage, L. bibere; E. kin, AS. cynn; E. thin, AS. þynne; E. dominion, donjon, dungeon. In English I has two principal vowel sounds: the long sound, as in pne, ce; and the short sound, as in pn. It has also three other sounds: (a) That of e in term, as in thirst. (b) That of e in mete (in words of foreign origin), as in machine, pique, regime. (c) That of consonant y (in many words in which it precedes another vowel), as in bunion, million, filial, Christian, etc. It enters into several digraphs, as in fail, field, seize, feign. friend; and with o often forms a proper diphtong, as in oil, join, coin. See Guide to Pronunciation, §§ 98-106. The dot which we place over the small or lower case i dates only from the 14th century. The sounds of I and J were originally represented by the same character, and even after the introduction of the form J into English dictionaries, words containing these letters were, till a comparatively recent time, classed together. 2. In our old authors, I was often used for ay (or aye), yes, which is pronounced nearly like it. 3. As a numeral, I stands for 1, II for 2, etc. I- (?), prefix. See Y- . I (), pron. [poss. My (m) or Mine (mn); object. Me (m). pl. nom. We (w); poss. Our (our) or Ours (ourz); object. Us (s).] [OE. i, ich, ic, AS. ic; akin to OS. & D. ik, OHG. ih, G. ich, Icel. ek, Dan. jeg, Sw. jag, Goth. ik, OSlav. az', Russ. ia, W. i, L. ego, Gr. 'egw`, 'egw`n, Skr. aham. √179. Cf. Egoism.] The nominative case of the pronoun of the first person; the word with which a speaker or writer denotes himself. I*am`a*tol"o*gy (?), n. [Gr. &?;, &?;, medicine + -logy.] (Med.) Materia Medica; that branch of therapeutics which treats of remedies. I"amb (?), n. [Cf. F. iambe. See Lambus.] An iambus or iambic. [R.] I*am"bic (?), a. [L. iambicus, Gr. &?;: cf. F. iambique.] 1. (Pros.) Consisting of a short syllable followed by a long one, or of an unaccented syllable followed by an accented; as, an iambic foot. 2. Pertaining to, or composed of, iambics; as, an iambic verse; iambic meter. See Lambus. I*am"bic, n. 1. (Pros.) (a) An iambic foot; an iambus. (b) A verse composed of iambic feet. The following couplet consists of iambic verses. Thy gen- | ius calls | thee not | to pur- | chase fame In keen | iam- | bics, but | mild an- | agram. Dryden. 2. A satirical poem (such poems having been anciently written in iambic verse); a satire; a lampoon. I*am"bic*al (?), a. Iambic. [Obs. or R.] I*am"bic*al*ly, adv. In a iambic manner; after the manner of iambics. I*am"bize (?), v. t. [Gr. &?;.] To satirize in iambics; to lampoon. [R.] I*am"bus (?), n.; pl. L. Iambi (#), E. Iambuses (#). [L. iambus, Gr. &?;; prob. akin to &?; to throw, assail (the iambus being first used in satiric poetry), and to L. jacere to throw. Cf. Jet a shooting forth.] (Pros.) A foot consisting of a short syllable followed by a long one, as in mns, or of an unaccented syllable followed by an accented one, as invent; an iambic. See the Couplet under Iambic, n. ||I*an"thi*na (?), n.; pl. L. Ianthinæ (#), E. Ianthinas (#). [NL., fr. ||L. ianthinus violet-blue, Gr. &?;; &?; violet + &?; flower.] (Zoöl.) ||Any gastropod of the genus Ianthina, of...

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John Keats's 'Lamia' is a narrative poem that feels like a fever dream. It's based on a story from ancient folklore, but Keats makes it entirely his own with language so vivid you can almost taste the colors.

The Story

Lamia, a serpent with a woman's soul, is miserable in her magical form. She uses her power to transform into a stunning human woman. Her goal? To win the love of Lycius, a young, serious scholar from Corinth. It works—he's instantly, completely enchanted. They run away to a hidden, opulent palace in Corinth and live in a bubble of total passion. But Lycius insists on a grand public wedding, against Lamia's fears. At the feast, their happiness is destroyed by Apollonius, Lycius's stern old mentor. He sees through Lamia's illusion, stares her down with his 'philosophic eye,' and names her for what she is. Under his gaze, Lamia vanishes, and Lycius, his dream shattered, dies of heartbreak.

Why You Should Read It

This isn't just a simple monster story. Keats makes you feel for everyone. You ache for Lamia's desperate love and fear, you get swept up in Lycius's joy, and you even understand Apollonius's grim duty to reveal truth. The real conflict isn't between good and evil, but between two powerful forces: the heart's need for beautiful dreams (Lamia's magic) and the mind's demand for harsh facts (Apollonius's reason). Keats doesn't pick a side, which is what makes it so haunting. The poetry itself is the biggest star—every line is packed with lush descriptions of food, fabrics, and feeling that pull you right into their world.

Final Verdict

Perfect for readers who love myth retellings, Gothic romance, or just incredibly beautiful writing. If you've ever wondered whether it's better to be happy in a beautiful lie or miserable with an ugly truth, this poem will grip you. It's a quick but powerful read that sticks with you long after the last line.



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Anthony Taylor
1 year ago

Essential reading for students of this field.

Kevin Smith
1 year ago

Without a doubt, the depth of research presented here is truly commendable. Absolutely essential reading.

Kevin Davis
9 months ago

A bit long but worth it.

Joshua Wright
1 year ago

After finishing this book, the pacing is just right, keeping you engaged. Thanks for sharing this review.

Deborah Perez
1 year ago

Used this for my thesis, incredibly useful.

4.5
4.5 out of 5 (18 User reviews )

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