A Decade of Italian Women, vol. 1 (of 2) by Thomas Adolphus Trollope

(15 User reviews)   5540
By Betty Young Posted on Jan 5, 2026
In Category - Tech Balance
Trollope, Thomas Adolphus, 1810-1892 Trollope, Thomas Adolphus, 1810-1892
English
Hey, have you heard about this book that's basically a backstage pass to Italian history? It's not about kings and generals, but about the women who were right there in the middle of it all. Thomas Adolphus Trollope (yes, brother of *that* Trollope) lived in Italy for decades and collected these incredible stories. He writes about queens, artists, poets, and revolutionaries from the 1500s to the 1800s. The real mystery is how these women, often stuck in a man's world, managed to shape politics, art, and culture in ways we're still discovering. It's like historical gossip, but the really smart kind. If you ever wondered who was really pulling the strings in Renaissance Florence or who inspired the great artists, this book has some answers.
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they appeared were in their nature calculated to produce them. Of such times, the most striking in this respect, as in so many others, is that fascinating dawn time of modern life, that ever wonderful "rénaissance" season, when a fresh sap seemed to rush through the tissues of the European social systems, as they passed from their long winter into spring. And in the old motherland of European civilisation, where the new life was first and most vehemently felt,—in Italy, the most remarkable constellations of these attractive figures were produced. The women of Italy, at that period remarkable in different walks, and rich in various high gifts, form in truth a very notable phenomenon; and one sufficiently prevalent to justify the belief, that the general circumstances of that society favoured the production of such. But the question remains, whether these brilliant types of womanhood, attractive as they are as subjects of study, curiously illustrative as they are of the social history of the times in which they lived, are on the whole such as should lead us to conclude, that the true path of progress would be found to lead towards social conditions that should be likely to reproduce them? Supposing it to be asserted, that they were not so necessarily connected in the relationship of cause and effect with the whole social condition of the times in which they lived, as that any attempt to resuscitate such types need involve a reproduction of their social environment; even then the question would remain, whether, if it were really possible to take them as single figures out of the landscape in which they properly stand, they would be such as we should find it desirable to adopt as models of womanhood? Are these such as are wanted to be put in the van of our march—in the first ranks of nineteenth century civilisation? Not whether they are good to put in niches to be admired and cited for this or that virtue or capacity; nor even whether they might be deemed desirable captains in a woman's march towards higher destinies and better conditioned civilisation, if, indeed, such a progress were in any sane manner conceivable; but whether such women would work harmoniously and efficiently with all the other forces at our command for the advancement of a civilisation, of which the absolute _sine quâ non_ must be the increased solidarity, co-operation, and mutual influence of both the sexes? It may be guessed, perhaps, from the tone of the above sentences, that the writer is not one of those who think that the past can in this matter be made useful to us, as affording ready-made models for imitation. But he has no intention of dogmatising, or even indulging in speculations on "the woman's question." On the contrary, in endeavouring to set before the reader his little cabinet of types of womanhood, he has abstained from all attempt at pointing any moral of the sort. The wish to do so is too dangerously apt to lead one to assimilate one's portrait less carefully to the original than to a pattern figure conceived for the purpose of illustrating a theory. Whatever conclusions on the subject of woman's destiny, proper position, and means of development are to be drawn, therefore, from the consideration of the very varied and certainly remarkable types set before him, the reader must draw for himself. It has been the writer's object to show his portraits, more or less fully delineated according to their interest, and in some measure according to the abundance or the reverse of available material, in...

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Thomas Adolphus Trollope, who spent most of his life in Italy, acts as our guide through three centuries of its history. But instead of focusing on battles and treaties, he turns the spotlight on the women who lived through it. This isn't a single story, but a collection of biographies. We meet powerful rulers like Catherine de' Medici, brilliant artists like painter Sofonisba Anguissola, and tragic figures like the poet Vittoria Colonna. Trollope pulls these stories from letters, historical records, and the gossip of the time to show us their world.

Why You Should Read It

This book completely changed how I see history. It makes the past feel personal and real. You get the sense Trollope is introducing you to people he admires. He shows how these women navigated strict social rules, used their intelligence, and sometimes sheer force of will to leave a mark. Reading about a 16th-century woman becoming a celebrated court painter or a noblewoman influencing papal politics is genuinely thrilling. It’s a powerful reminder that history has always been full of fascinating people, half of whom we often overlook.

Final Verdict

Perfect for anyone who loves biography, Italian history, or stories about remarkable people. If you enjoy books that explore the human side of big historical events, you’ll love this. It’s written in a clear, engaging style that feels more like a series of fascinating conversations than a dry textbook. Just be ready to fall down a rabbit hole of looking up paintings, places, and other historical figures these women knew!



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Mark Robinson
1 year ago

This is one of those stories where the plot twists are genuinely surprising. I learned so much from this.

Liam Wright
3 months ago

I was skeptical at first, but the storytelling feels authentic and emotionally grounded. This story will stay with me.

Daniel Johnson
2 years ago

I started reading out of curiosity and it creates a vivid world that you simply do not want to leave. I couldn't put it down.

Deborah Harris
2 months ago

If you enjoy this genre, the emotional weight of the story is balanced perfectly. I will read more from this author.

Liam Gonzalez
6 months ago

Text is crisp, making it easy to focus.

4.5
4.5 out of 5 (15 User reviews )

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